Music, Arts & Culture » Movies

Film Listings, 2/8/18 – 2/15/18

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CALL ME BY YOUR NAME

What's it rated? R

Where's it showing? The Palm, Galaxy

It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old American-Italian, spends his days in his family's 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother, Annella (Amira Casar), a translator. One day, Oliver (Armie Hammer), a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio's father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever. (130 min.)

—Sony Pictures Classics

COCO

What's it rated? PG

What's it worth? Full Price

Where's it showing? Park

Pick

Lee Unkrich and Adrian Molina co-direct this animated adventure-comedy written by the directors and Jason Katz and Matthew Aldrich, about Miguel (voiced by Anthony Gonzalez), an aspiring musician from a family in which music is banned. Miguel is swept into the Land of the Dead and meets his forebears in this film that explores the Mexican tradition of el Día de los Muertos, or the Day of the Dead.

Coco really is a love letter to the Mexican culture. I won't be one bit surprised if this wins Best Animated Feature at next year's Academy Awards. It deserves it! (109 min.)

—Glen Starkey

DARKEST HOUR

What's it rated? PG-13

What's it worth? Full Price

Where's it showing? The Palm, Stadium 10, Fair Oaks

Pick

Darkest Hour drops viewers into one of the tensest, grimmest periods of World War II to illustrate how British Prime Minister Winston Churchill (Garry Oldman), orated Britain and its people out of surrendering to and into defiantly fighting Nazi Germany.

Essentially a biographical portrait of Churchill, Darkest Hour leans on a phenomenal performance by Oldman to captivate the audience and make us feel the immensity of Europe teetering on the edge of destruction.

Set in May of 1940, British Parliament has just ousted Neville Chamberlain as its Prime Minister as Hitler prepares to invade Belgium and Holland. Churchill is begrudgingly appointed as his successor, but fear and doubt still consumes the nation.

Churchill assumes the helm with the message to the nation that accepting defeat isn't an option. But he faces resistance from many members of Parliament and even members of his own cabinet, who bicker with him to settle a peace treaty with Hitler, as millions of British soldiers' lives are on the line. It's Churchill's commitment to the principles of his country and disdain for the moral atrocities of Nazism that compel him to push back against the momentum of a surrender. That's what's thrilling about this movie: the emotional battle between the convenience of giving up versus the profound consequences of that concession.

Darkest Hour hits theaters at an appropriate time in history, when similar moral questions and human values are on the line. Churchill's bluster and bombastic oration did remind me of President Donald Trump's. But the push notification that arrived on my phone in the theater reporting Trump's tweet to North Korea of having a "working" nuclear button on his desk enlightened me to the fact that the intelligence, consciousness, and nuance of Churchill's rhetoric has no comparison to the current U.S. president. (125 min.)

—Peter Johnson

DEN OF THIEVES

What's it rated? R

Where's it showing? Sunset Drive-In

Every day, $120 million in cash is taken out of circulation and destroyed by the Los Angeles Branch of the Federal Reserve—unless a notorious, elite crew of bank robbers can pull off the ultimate heist and get to the money first ... right under the noses of LA's most feared division in law enforcement. (140 min.)

—STX Entertainment

THE 15:17 TO PARIS

What's it rated? PG-13

Where's it showing? Downtown Centre, Stadium 10, Park, Galaxy

New

UNDER ATTACK In The 15:17 to Paris, a group of American friends traveling abroad must work together to prevent a terrorist attack on a train ride to Paris. - PHOTO COURTESY OF WARNER BROS. PICTURES
  • Photo Courtesy Of Warner Bros. Pictures
  • UNDER ATTACK In The 15:17 to Paris, a group of American friends traveling abroad must work together to prevent a terrorist attack on a train ride to Paris.

In the early evening of August 21, 2015, the world watched in stunned silence as the media reported a thwarted terrorist attack on Thalys train No. 9364 bound for Paris, an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends' lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. (120 min.)

—Warner Bros. Pictures

FIFTY SHADES FREED

HAPPILY EVER AFTER? In Fifty Shades Freed, newly weds Christian (Jamie Dornan) and Ana (Dakota Johnson) try and adjust to their new life while dealing with threats to their happiness. - PHOTO COURTESY OF UNIVERSAL PICTURES
  • Photo Courtesy Of Universal Pictures
  • HAPPILY EVER AFTER? In Fifty Shades Freed, newly weds Christian (Jamie Dornan) and Ana (Dakota Johnson) try and adjust to their new life while dealing with threats to their happiness.

What's it rated?R

Where's it showing? Downtown Centre, Stadium 10, Park, Galaxy

New

Believing they have left behind shadowy figures from their past, newlyweds Christian (Jamie Dornan) and Ana (Dakota Johnson) fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins. (120 min.)

—Universal Pictures

THE GREATEST SHOWMAN

What's it rated? PG

What's it worth? Rental

Where's it showing? Downtown Centre, Stadium 10, Galaxy

First-time director Michael Gracey helms The Greatest Showman, an original, straight-to-screen musical inspired by the life of P.T. Barnum (played here by Hugh Jackman) and the formation of the Barnum and Bailey Circus. The film never claims to be wholly factual and only uses the aspects of Barnum's life that fit into its desired rags-to-riches structure.

Overall, The Greatest Showman is a mixed bag full of flawed and fun moments alike. It's hard to tell how serious it takes itself at times, but the best parts are the unashamedly cheesy ones. And I really wish it embraced that cheesiness more—it could have been grater. (139 min.)

—Caleb Wiseblood

HOSTILES

What's it rated?R

What's it worth? Matinee

Where's it showing? Stadium 10, Park, Galaxy

Pick

Writer-director Scott Cooper (Crazy Heart, Out of the Furnace) helms this Western set in 1892. Army Capt. Joseph J. Blocker (Christian Bale) is tasked with one final, unsavory assignment before retirement: He and a detail must escort Cheyenne Chief Yellow Hawk (Wes Studi) and his family from a New Mexican military prison—where they've languished for seven years—through hostile territory and back to their Montana homeland.

Hostiles opens with a brutal Indian raid on an unprotected homestead, setting up the idea that the Indians are ruthless killers. Cut to Capt. Blocker and his men taking an Indian family in custody and bringing them to prison. Hostiles quickly makes clear that in the colonization of the U.S., both the colonized and the colonizer are left damaged.

Blocker's second in command, Master Sgt. Thomas Metz (Rory Cochrane), is clearly struggling with how the U.S. has been handling the Indian "problem," and he tells Blocker he's reached his limits. Blocker, on the other hand, isn't yet that evolved, but this is ultimately his story, and he learns to see U.S. conquest from his enemy's point of view.

As the story begins, having seen too many good men butchered, Blocker hates the "natives," yet he's become a butcher in return. He fought Chief Yellow Hawk at Wounded Knee, so his animosity is personal. When Blocker's commanding officer Col. Abraham Biggs (Stephen Lang) threatens Blocker's pension if he refuses to see the Chief; his daughter, Living Woman (Tanaya Beatty); son, Black Hawk (Adam Beach); daughter-in-law, Elk Woman (Q'orinaka Kilcher); and grandson, Little Bear (Xavier Horsechief) back to Montana, Blocker reluctantly agrees, and his squad sets off through hostile territory populated by murderous groups of the last remaining wild Indians, unscrupulous fur trappers, and the settlers at their mercy.

It's a dark, brooding story about the psychological damage of warfare and subjugation, and the violent clash of civilizations. As Blocker says, "When we lay our heads down here, we're all prisoners."

We meet the sole survivor of the homestead attack shortly after the group departs. Rosalie (Rosamund Pike) witnessed her husband (Scott Shepherd), two daughters (Ava and Stella Cooper), and infant killed. Blocker displays great sensitivity for her trauma. During a stop in Colorado at another Army fort, Blocker is tasked with transporting a military criminal—Sgt. Charles Wills (Ben Foster)—along his way. They clearly share a past together.

The dynamics between the various members definitely sizzle, and Blocker eventually grows close to Rosalie, who also develops a respect for their Indian companions. Soon they're all joined together to fight common enemies: the Comanche war party that killed Rosalie's family and a trio of fur trappers—Scott Anderson, Boots Southerland, and Dicky Eklund Jr.—who think they can take what they want without consequence. They're wrong.

The action episodes are surprising and brutal but also somewhat underplayed, with the quiet moments of character interaction making the biggest impact. Overall, the film's bleak, and it's clearly influenced by classic Westerns such as John Ford's The Searchers (1956).

The character arcs of the two principal players make the film rise above boilerplate Westerns. Rosalie goes from traumatized victim to strong and resilient survivor. Blocker is a closet intellectual reading Shakespeare's Julius Caesar in Latin, and though he seems at first wholly hardened, he reveals deep wells of emotion as the story unfolds.

It's also worth noting that Masanobu Takayanagi's cinematography is stunning and worthy of a classic Western. Studi is a study in dignity. Foster is as engaging as ever. Cochrane is as good as I've ever seen him.

Hostiles doesn't quite rise to the level of the greatest Western films. It's no Unforgiven (1992), Red River (1948), or Shane (1953), but it's a worthy offering that approaches its subject with a lot more subtly and sensitivity that many recent period Westerns. If you're a fan of Old West tales, this is worth a trip to the theater. (134 min.)

—Glen Starkey

I, TONYA

What's it rated? R

What's it worth? Full Price

Where's it showing? Downtown Centre

Pick

From director Craig Gillespie (Lars and the Real Girl, The Finest Hours) and writer Steven Rogers (P.S. I love You, Friday Night Lights) comes I, Tonya, based on unbelievable, but true events. This mock-u-mentary style film is a darkly comedic tale of American figure skater, Tonya Harding (Margot Robbie), and one of the most sensational scandals in sports history. Though Harding was the first American woman to complete a triple axel in competition, her legacy was forever defined by her association with an infamous, ill conceived, and even more poorly executed attack on fellow Olympic competitor Nancy Kerrigan (Caitlin Carver). The cast is rounded out with a mustachioed Sebastian Stan as Harding's impetuous ex-husband Jeff Gillooly and Allison Janney as her acid-tongued mother, LaVona Golden.

I, Tonya takes someone from popular culture we thought we had the measure of, and throws all of our ideas out the window. (119 min.)

—Ryah Cooley

JUMANJI: WELCOME TO THE JUNGLE

What's it rated? PG-13

What's it worth? Full Price

Where's it showing? Stadium 10, Park, Galaxy

Pick

With Jumanji: Welcome to the Jungle, we see an old game through new lenses. In present day, we have a group of four archetypal teenagers. You know, similar to The Breakfast Club. You've got the nerd Spencer (Alex Wolff), his former best friend turned jock Fridge (Ser' Darius Blain), a self-absorbed popular Bethany (Madison Iseman), and smart girl Martha (Morgan Turner) who's a little salty about her peers. The crew gets detention and winds up having to remove staples from magazines for the evening. Anyone else find that to be an unusual punishment? To top it off, they're doing it in an abandoned classroom filled with old school memorabilia and random junk. That's where the unlikely group finds Jumanji (this time in video game form). They decide to ditch their task to play it. Once the game is plugged in and rebooting, the kids are sucked into the console, entering into the Jumanji world. But there's a catch: They have assumed the bodies of their avatars.

This is where the fun really starts; Spencer turns into Dr. Smolder Bravestone (Dwayne Johnson). His weakness: he has none. Fridge turns into Franklin "Mouse" Finbar (Kevin Hart). You can only guess where the nickname comes from. Notorious hottie Bethany turns into the nerdy, male Professor "Shelly" Oberon (Jack Black), a cartographer, cryptographer, archaeologist, and paleontologist. Shy Martha turns into Ruby Roundhouse (Karen Gillan). She's a martial artist and dance fighter with very short and tight clothing. With their new personas, the group must learn to work together and trust one another so they can return the jewel known as the Jaguar's Eye to the jaguar statue.

This film does what many remakes fail to do, which is successfully entertain its audience. I wasn't quite sure how this would go walking into the theater. But these actors did a hilarious job delivering as prepubescent teenagers in way over their heads. I was laughing nonstop throughout the film. (112 min.)

—Karen Garcia

LADY BIRD

What's it rated? R

What's it worth? Full Price

Where's it showing? Downtown Centre, Stadium 10

Pick

Writer-director Greta Gerwig helms this coming of age story about high schooler Christine "Lady Bird" McPherson (Saoirse Ronan) over the 2002-03 school year in Sacramento, exploring her difficult relationship with her mother Marion (Laurie Metcalf) and others in her life.

One of the things the film does well is capture what a weird time high school is. It's like a bubble of unreality. Insecurities rule the day, and in general, high school students have no idea that most of the popular kids have peaked and will grow up to be unhappy losers while the misfits inherit the earth, but as viewers we can see the writing on the wall. (93 min.)

—Glen Starkey

MAZE RUNNER: THE DEATH CURE

What's it rated?PG-13

Where's it showing?Downtown Centre, Sunset Drive-In Park, Galaxy

In the epic finale to the Maze Runner saga, Thomas (Dylan O'Brien) leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all and get answers to the questions the Gladers have been asking since they first arrived in the maze. (114 min.)

—20th Century Fox

OSCAR NOMINATED SHORT FILMS

What's it rated? NR

Where's it showing? The Palm

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The Animation category is shown weekdays at 7 p.m. and Saturday and Sunday at 1:30 and 7 p.m. The Live Action category is shown daily at 4:15 p.m. Documentary A is shown Saturday at 1:15 p.m. and Documentary B is shown Sunday 1:15 p.m.

PHANTOM THREAD

What's it rated? R

What's it worth? Full Price

Where's it showing? The Palm

Pick

Writer-director Paul Thomas Anderson (Boogie Nights, Magnolia, Punch-Drunk Love, There Will Be Blood, The Master, Inherent Vice) reteams with Daniel Day-Lewis in this story of dressmaker Reynolds Woodcock, who with his sister Cyril (Lesley Manville) runs the posh fashion business the House of Woodcock. Set in 1950s London, Woodcock's fastidious life is turned upside down by Alma (Vicky Krieps), a willful young woman who becomes his lover and muse.

All the worst human emotions are on display in Phantom Thread, a story about ego, jealousy, manipulation, hostility, and disappointment. Incongruently, it's also very funny.

Like many of Anderson's stories, Phantom Thread is about big personalities with compromised morals. That can make it difficult to find anyone to root for; however, Anderson's sumptuous filmmaking, attention to detail, and unflinching gaze at his complicated characters is as gorgeous and elevated as one of Reynolds' haute couture designs.

It also helps that the acting is truly amazing, and Anderson gives his players the space they need to develop their characters. Nothing feels rushed, which for some viewers may translate as a slow pace, but I was never bored. (130 min.)

—Glen Starkey

THE POST

What's it rated? PG-13

What's it worth? Full Price

Where's it showing? Downtown Centre, Stadium 10

Pick

Steven Spielberg (Jaws, The Color Purple, Schindler's List, Saving Private Ryan, Lincoln) directs this true story about Kay Graham (Meryl Streep), the first female newspaper publisher, and tenacious editor Ben Bradlee (Tom Hanks), who join forces to reveal a government cover-up spanning five presidencies. Written by Liz Hannah and Josh Singer, the film also stars Sarah Paulson as Tony Bradlee, Bob Odenkirk as Ben Bagdikian, Tracy Letts as Fritz Beebe, Bradley Whitford as Arthur Parsons, Bruce Greenwood as Robert McNamara, and Matthew Rhys as famed whistleblower Daniel Ellsberg.

Spielberg is a superlative director, not as showy as some, but great at building tension in the small moments and letting his actors carry the weight of scenes, and what amazing actors! Streep is a revelation, displaying Kay's internal struggle with the lightest of expressions, yet we know exactly what she's going through. Hanks plays Bradlee with the brash confidence of someone more committed to journalistic integrity than with keeping his job.

As far as The Post is concerned, I see Oscar wins on the horizon. This is great filmmaking! (116 min.)

—Glen Starkey

PETER RABBIT

SILLY RABBIT Tensions build between Peter (voiced by James Corden) and Mr. McGregor (Domhnall Gleeson) as they rival for the affections of Bea (Rose Byrne) in Peter Rabbit. - PHOTO COURTESY OF COLUMBIA PICTURES
  • Photo Courtesy Of Columbia Pictures
  • SILLY RABBIT Tensions build between Peter (voiced by James Corden) and Mr. McGregor (Domhnall Gleeson) as they rival for the affections of Bea (Rose Byrne) in Peter Rabbit.

What's it rated? PG

Where's it showing? Downtown Centre, Stadium 10, Park, Galaxy

New

Peter Rabbit (James Corden), the mischievous and adventurous hero who has captivated generations of readers, now takes on the starring role of his own irreverent, contemporary comedy with attitude. In the film, Peter's feud with Mr. McGregor (Domhnall Gleeson) escalates to greater heights than ever before as they rival for the affections of the warm-hearted animal lover who lives next door (Rose Byrne). (100 min.)

—Columbia Pictures

THE SHAPE OF WATER

What's it rated? R

What's it worth? Full Price

Where's it showing? The Palm, Park, Galaxy

Pick

Elisa (Sally Hawkins) is a lonely mute who works as a janitor in a high-security government laboratory in 1962 Baltimore. For 10 years she's walked and cleaned the halls of the facility with her friend Zelda (Octavia Spencer).

Every day Elisa sticks to her routine: take a shower, polish her shoes, make lunch as well as a meal for her neighbor and friend Giles (Richard Jenkins), and then catch the bus to work.

Her life takes a turn when she and Zelda are called into a room to clean up a bloody mess created by "the asset" (Doug Jones), at least that's what the scientists and government officials are calling it. The asset is a scaled creature from South Africa that now resides in a water tank against its will. Elisa is drawn to the creature, maybe because she too is an outsider in the world that she lives in. She forms a bond with the creature that feels more like love than friendship. But her days of sharing hard-boiled eggs for lunch and listening to her vinyl record player are numbered; the very fate of the creature is on the line.

Writer and director Guillermo Del Toro's (Pan's Labyrinth, Hellboy, Pacific Rim) latest offering is visually intriguing as an everyday woman finds her fairy tale—with some bloody scenes mixed in, of course. (123 min.)

—Karen Garcia

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

What's it rated? R

What's it worth? Full Price

Where's it showing? Downtown Centre, Fair Oaks, Galaxy

Pick

Three Billboards Outside Ebbing, Missouri is one shape-shifter of a movie. Is it a comedy, tragedy, or quest for vengeance, redemption, and catharsis? Director/writer Martin McDonagh (The Guard) manages to convince you it's all of the above.

We're dropped late into the aftermath of mother Mildred Hayes' (Frances McDormand, Hail, Caesar!, Moonrise Kingdom) grief and pain. Months have gone by since her daughter Angela (Kathryn Newton) was viciously raped and murdered while walking home one night in their small town. Still, local law enforcement has made no arrests and doesn't even have any suspects. While driving down a forgotten road just outside Ebbing, Mildred gets and idea and proceeds to march into town and pay for three billboards in a row painted red with big black letters that say "Raped while dying," "And still no arrests?" and "How come, Chief Willoughby?"

The writing is impeccably sharp, with searing lines thrown in at the most emotionally potent moments, and yet, there are so many laugh-out-loud moments, too, in this film that deals rather heavily in anger and sorrow. The acting is superb, particularly performances from McDormand, who plays Mildred as hardened and determined to find justice, and Harrelson as the seemingly hick police chief creates so much nuance and depth for his character. And yet, Three Billboards Outside Ebbing, Missouri requires being OK with swallowing a hefty dose of imaginative realism. (115 min.)

—Ryah Cooley

12 STRONG

What's it rated? PG

What's it worth? Matinee

Where's it showing? Stadium 10, Galaxy

Pick

Producer Jerry Bruckheimer (Armageddon, Pearl Harbor, Black Hawk Down) is known for backing big, bombastic films, but director Nicolai Fuglsig's 12 Strong isn't quite as obnoxious as many of Bruckheimer's previous movies. Instead, this film adaptation of Doug Stanton's book, Horse Soldiers, about the true story of a Special Forces team that joins Afghanistan's Northern Alliance in the war against the Taliban, allows viewers to breathe a little between explosions.

In fact, it begins rather quietly by establishing the family lives of the various soldiers, especially Capt. Mitch Nelson (Chris Hemsworth) and his second in command Hal Spencer (Michael Shannon). They think their warrior days are behind them, but then 9/11 occurs, and suddenly they find their 12-man squad chosen to be the first American forces set loose in Afghanistan.

Their mission is to join up with local warlord Gen. Dostrum (Navid Negahban), a fierce warrior with a grudge against Taliban leader Mullah Razzan (Numan Acar). Their endeavor is complicated by the fact that the so-called Northern Alliance isn't much of an alliance, and Gen. Dostrum and his warlord counterparts are as likely to fight each other as their shared enemy the Taliban.

What 12 Strong depicts is one of the U.S.'s most amazing and unlikely military victories. The film's not interested in the larger ramifications of war. In fact, it barely touches on the psychological consequences of combat, and it's certainly not interested in the pros and cons of American neo-colonialism and "nation building." However, if you want to see some heroic Green Berets get some much-deserved payback for 9/11, strap in and take the ride. (130 min.)

—Glen Starkey

New Times movie reviews were compiled by Arts Editor Ryah Cooley and others. You can contact her at rcooley@newtimesslo.com.


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