- PHOTO COURTESY OF CARNEY
- STEP RIGHT UP FOR THE GREATEST SHOW ON EARTH! : Carney, which features lead singer Reeve Carney who’s been cast in the lead for the spring debut of Spider-Man on Broadway, plays Downtown Brew on Jan. 16.
On Saturday, Jan. 16, Carney returns to the club (7:30 p.m.; all ages; $6 presale or $8 at the door). The rock, blues, and French pop act is fronted by siblings Reeve (voice and guitar) and Zane (guitar) Carney, a couple 20-somethings who’ve taken the LA scene by storm. Hear hints of Jeff Buckley, The White Stripes, Led Zeppelin, John Lennon, and Pink Floyd in their sound.
On an interesting side note, Reeve got the lead role as Spider-Man in the Broadway play opening this spring on New York’s Great White Way. The rest of the band was hired to play in the orchestra.
Carney also has a new album coming out this March on Interscope Records. They’re going to be huge, people! Entertainment Weekly put them on their “Top 10 to Watch in 2010” list. Get to the Brew and see them before they’re bigger than Elvis! Central Currency and Killa Gorilla will open the show.
The other show date I bungled was for rock, pop, and soul singer Tyrone Wells, who plays Thursday, Jan. 21, with opening act Avanti (7 p.m.; all ages; $8 presale or $10 at the door).
- PHOTO COURTESY OF CROSS CANADIAN RAGWEED
- RED DIRT DELIGHT : Cross Canadian Ragweed (pictured) shares the bill with the Randy Rogers Band at The Graduate on Jan. 14.
Cross Canadian Ragweed and the on-the-rise Randy Rogers Band? That’s right! The Graduate has both killer acts scheduled for this Thursday, Jan. 14 (8 p.m.; $20; vallitix outlets).
Formed 13 years ago in Yukon, Oklahoma, CCR is a gifted alt-country quartet of the red dirt variety—think acts such as Stoney LaRue, Micky & The Motorcars, Reckless Kelly, Wade Bowen, No Justice, and Brandon Rhyder.
“Man, there were never any other options but to stay together and play music,” said frontman and songwriter Cody Canada. “We’ve always wanted to do what we’re doing. We never thought we would be Tom Petty & the Heartbreakers, but we always wanted to be around for along time. We figure if we’ve been around for 13 years, we’ll be around for 30.”
While CCR has been around for a while, the Randy Rogers Band is just beginning their assent: They have an American Country Music nomination; they’ve appeared on both Letterman and Leno; Rolling Stone named their show one of the “Must See Tours of Summer” a couple months ago; the band’s most recent last CD debuted at #3 on Billboard’s Country Albums chart and was chosen by Playboy magazine as the Best Country Album of the year.
- PHOTO BY DAVID BELOVE
- THE ART OF JAZZ : The Wayne Wallace Quartet plays the debut of the SLO Art Center’s new jazz series on Jan. 15.
The SLO Art Center and the SLO Jazz Federation have teamed up with a new endeavor, the “Marilyn Greenberg Jazz Concert Series,” starting with The Wayne Wallace Latin Jazz Quintet this Friday, Jan.15, at 8 p.m. in the Art Center.
The plan is to find on-the-rise jazz acts and bring them in for intimate all ages shows, and Wallace (trombone) fits the bill perfectly. The quintet recently had a CD release concert for Bien Bien at Yoshi’s in San Francisco earlier this month and appeared at The Monterey Jazz Festival last month. Bien Bien debuted at #1 on The Media Guide Jazz Week World Chart and # 10 on The Media Guide Jazz Week College Chart.
Forrest Dylan Bryant of The Jazz Observer wrote, “Wallace’s quintet is like an elite commando unit: lean, mean, and packing some serious heat.”
This new monthly series is dedicated to Ms. Marilyn Greenberg, former treasurer of the Jazz Fed whose passion and legacy for promoting jazz on the Central Coast will carry on through these concerts.
Presale tickets are available at Boo Boo Records and The Art Center: $15 for students; $20 for Jazz Fed and Art Center members; and $22 for all others. Remaining tickets will be sold for $25 at the door. For more info, call 543-8562.
Sharing the Dream!
Get ready to Share the Dream during the Martin Luther King Jr. holiday concert and festival at SLO’s Laguna Middle School’s multi-purpose room this Saturday, Jan. 16 from 11 a.m. to 5 p.m.
The concert will include an All-Star Jam featuring Grammy award-winning artist Louie Ortega, local sensation Al “Shival” Redwine, Balaram Redwine, and founder of Sharing the Dream, Michael LoveGene. The concert also features the Higher Movement Dancers, House of Prayer Choir, Tim Jackson, David Smith, and California Arts International.
Also expect speakers, an educational video featuring speeches by Dr. King, and a presentation of the United Nations Universal Declaration of Human Rights. The top three winners of Sharing the Dream’s 1st annual Essay and Art Contest will be recognized. Look for these student essays in this week’s New Times.
Lunch will be provided at $5 a plate by Bon Temps Creole Café. Admission to the daylong event is only $10.
- PHOTO COURTESY OF KRONOS QUARTET
- CHALLENGE YOURSELF! : The bizarrely awesome and totally indescribable Kronos Quartet plays Jan. 20 in the PAC’s Cohan Center.
The bizarrely awesome and totally indescribable Kronos Quartet will do that thing it’s been doing for more than 30 years now—namely redefining classic music by throwing out the rules and drawing on influences from around the world—on Wednesday, Jan. 20 at 7 p.m. in the PAC’s Cohan Center (tickets are $20 to $44; call 756-2787).
Featuring David Harrington (violin), John Sherba (violin), Hank Dutt (viola), and Jeffrey Zeigler (cello), this is an ensemble whose approach to music is best described as fearless, inventive, and insanity-inducing!
“I’ve always wanted a string quartet to be vital, and energetic, and alive, and cool, and not afraid to be absolutely beautiful and ugly if it has to be,” explained Harrington. “But it has to be expressive of life. To tell the story with grace and humor and depth.”
A free pre-show lecture will be presented by Cal Poly Music Dept. faculty member Alyson McLamore at 6 p.m. in the Performing Arts Center’s Gallery level lobby.
It’s not too late to get tickets for the various Central Coast Americana Festival events running from Thursday, Jan. 14 through Sunday, Jan. 17. Go online (sloamericanafestival.com) and chose from Tim Jackson, Red Holloway, The Dentures, The BlueSouls, Dorian Michael and Kenny Blackwell, Bob & Wendy, The Jill Knight Trio, The Red Skunk Jipzees, The Jody Mulgrew Trio, Better Late Than Never, The Demos, Good Medicine, Whisky Chimp, the Rebecca Troon Duo, Inner Faces, the Christine Rogers Trio, and Little Black Train.
- PHOTO COURTESY OF THE SANDY CYFER BAND
- THEY’VE GOT YOU COVERED : Killer cover act The Sandy Cyfers Band plays your favorites at Mr. Rick’s on Jan. 15.
Old time jazz act Cowboy Bebop and Gypsy Crawl (AKA—San Diego-based multi-instrumentalist/singer-songwriter Jon Ji) plays Linnaea’s Café this Friday, Jan. 15 at 8 p.m. to promote his new album Jarm. Check him out next week at Paso’s The Pour House at 9 p.m. on Friday, Jan. 22 and Cal Poly’s Backstage Pizza at 6 p.m. on Saturday, Jan. 23.
- PHOTO COURTESY OF MARGIE NELSON
- JAZZ CHANTUESE : Hit the Clubhouse on Jan. 16 to hear The Margie Nelson Jazz Group deliver standards, swing, ballads, and more.
Lil Rev—an award-winning multi-instrumentalist, songwriter, and music-historian who teaches and tours nationally—will be joined by local music star Brynn Albanese (Café Musique) for a show this Saturday, Jan. 16 at 8 p.m. in Steynberg Gallery Tea & Coffee House. If you like ukulele, folk, old time, harmonica, Jewish music, & culture, American labor history, and respect for your elders, this is the show for you. Tickets are $10 at the door.
- PHOTO COURTESY OF THE CALIFORNIA CELTS
- THAT’S NOT MR. T! : The California Celts, in their kilted glory, will play two shows at Mr. Rick’s this week: Jan. 16 and Jan. 17.
Craig Melia—firefighter, surfer, and singer-songwriter—will bring his band Gilt Lily to Sweet Springs Saloon this Saturday, Jan. 16 and then to Frog and Peach on Sunday, Jan. 17. “We play original country blues featuring the songwriting of myself and Amy Pratt,” said Melia. “Amy is from New York and moved out here recently. After she sang on my CD Fantom, we formed a band and have packed a few venues already. Also in the band is Mike Hickey on drums, Kurt Lindgren on bass, Shane Stoneman on guitar, and Bubba Ramey on saxophone.”
Former Crystal Cathedral organist Frederick Swann will let his fingers do the walking all over the Performing Art Center’s Forbes Pipe Organ this Sunday, Jan. 17, performing Charles-Marie Widor’s Symphony, Op. 42, No. 4 and Symphony, Op. 42, No. 6; Robert Schumann’s Fugue on B-A-C-H; Dietrich Buxtehude’s Chorale Fantasia; Sigfrid Karg-Elert’s Symphonic Chorale; J.S. Bach’s Prelude and Fugue in G, BWV 541; Joseph Rheinberger’s Sonata VIII, Op. 132; Felix Mendelssohn’s Sonata, Op. 65, No. 2; and John Stanley’s Toccata for Flutes. Student and adult tickets are $15 to $26 (756-2787).
This Sunday, Jan. 17, pianist-vocalist John Proulx and his quartet play the next Famous Jazz Artist Series concert at the Hamlet in Cambria. Proulx, who just finished a long engagement at the prestigious Feinstein’s Club in Manhattan, will be joined by Ron Stout (trumpet), Chuck Berghofer (bass), and Joe LaBarbara (drums), playing selections from their recent hit recording Remembering Chet Baker. Series co-producers Charlie and Sandi Shoemake (vibraphone and vocals) will also be on hand for the 4 p.m. set ($15) and 7:15 set ($12). See both for $20. Call 927-0567 for reservations.
Glen Starkey knows it’s impossible to both love and be wise. Offer him your favorite mutual exclusive at firstname.lastname@example.org.
Using the same intricate looping ability he showcased opening up for the Mountain Goats last year, Owen Pallett takes the blueprint Andrew Bird sketched—baroque pop built upon violin and multi-instrumental virtuosity—and builds an operatic vision. And like the stagecrafted drama, it may be best to take in as a beautiful artistic endeavor than try to make sense of it. Heartland can seem a bit overwrought, its polyphonic intricacies lost in lyrical obtuseness. But just as you’re about to write it off, a song like “Lewis Takes Action” steals the scene with Beach Boy harmonies built around a Ronette’s backbeat, and your attention is re-centered. “Red Sun No. 5” recalls the sonic adventurousness of Bjork’s fusion of majestic string and horn sections with insistent electronic beats. In all, Heartland invites a listen for its soaring chorus and euphonic melodies. It’s a grand experiment that finds success in acts, though not in whole.
Shrugging off any implication of a sophomore slump, Vampire Weekend repeats the buoyant brilliance of its debut with a further dip into international influence. Opening with the vibrant “Horchata,” VW displaces some of its focus on Africa with a view of our southern neighbors. The marimba’s friendly bounce and the barrage of drums feels like a Brazilian festival hooked into a calypso line. “White Sky” revives the familiar Afro-pop guitar with jaunty synth lines popping like bubbles beneath it. You can’t help but think of Paul Simon’s South-African Graceland album and his investigation of Brazilian percussion on The Rhythm Of The Saints. But unlike Simon, Vampire Weekend has stuck both landings; instantly likable from the first track, Contra plays like a sunny rush of exuberance. “Cousins” is a spirited frenzy of energy, with drums working overtime and the guitar blazing through speedy runs. “Taxi Cab” flirts with European sentimentality with cello, piano, and harpsichord building a small symphony for a music box ballerina. Improving on their debut, Vampire Weekend has started your decade on the right note. ∆
—Malik Miko Thorne, of Boo Boo Records and mikovision.blogspot.com, where you’ll find archived reviews and soundclips.